“Bobby said, ‘Dwane, you know we’re probably playing better than we ever have, but band is older. Hall said that a conversation with guitarist Bobby Falk started things rolling. Hall said it wasn’t unusual for him to leave the stage with his guitar still strapped on, throw some troublemaker out the door and try to return in time to hit the harmonies on the chorus. It was a corner bar and the only time there was live music was when Stone Country would push the pool table out of the way and set up in a corner. But he didn’t convert it to a music venue at first. Hall started at the Sportsmens in the 1980s, first managing the bar and eventually buying it in 1985. He also started a magazine, North Country Review, in 1976 and was promoter of the Sunshine Festivals in 1979, ’80 and ’81. The group gigged relentlessly, recorded one album in Nashville and did another that had some radio success with its version of “The Curly Shuffle.” When he returned to civilian life, he became a full-time musician with the Stone Country Band. “So I love the Marine Corps i think they actually saved my life.”Ī self-described “grunt,” he was on ship off the shore of Cambodia near the end of the Vietnam War, but didn’t see action. So i had that reputation around town that if Dwane said he's going to do something, he's gonna. They really showed me what self discipline is and, you know, you keep a good course and just keep pushing after what you're after and you'll eventually get it. “I owe the Marine Corps a lot of what I do today. I spent my 18th birthday at Parris Island. “So I asked my mom and dad to sign me up for the Marine Corps. They were going to put me in some kind of industrial school or something,” he said. But that led to a crucial decision after he got in trouble for it. He said that as a 17-year-old in high school, he would skip out of school to go fishing at the foot of Hertel Avenue and to play guitar with a friend. Hall admits he wasn’t much interested in school as a kid. He recalls going into honky tonks to play lap steel with his father when he was just 9 or 10 years old. Growing up, he played in a family band with his father and seven brothers. Hall grew up on the street behind the Sportsmens Tavern, where he met his future wife, Denise, when he was just 8. Hall also started a recording studio next to the Sportsmens Tavern in 1995, providing a studio home for many of the best Buffalo-area performers in recent years. Nowadays 95 percent is done with computers.Hall was also the driving force behind the creation of the Sportsmens Americana Music Foundation, a non-profit organization dedicated to fostering, promoting and expanding community appreciation for Americana music from Buffalo and Western New York through the production and sponsorship of performance and broadcast events and presentation of seminars and workshops.The group, founded in 2014, has already hosted successful major events such as a show recreating the Band’s “Last Waltz” show, the Silo City festivals and the group’s annual Foundation Festival as well as supporting many smaller-scale educational programs. There aren’t very many people who can do this kind of hand painting now. “Oskar Blues came to me through another sign company. “The silos are sort of a fluke,” he said.
SILO CITY BLUES FESTIVAL WINDOWS
He has specialized in painting signs, billboards and messages on windows in fluorescent paint - of the “Everything must go!” and “Sale” variety.Īnd when painting on a “canvas” as large as a concrete grain silo, computer graphics won’t do, he said.
“And now that I have this one, I have the third lined up.”įaast, 65, is a native of Montrose, who left Colorado many years ago to work in California, where he apprenticed to an outdoor sign painter. They actually knew me from 20 years ago, it turns out, and they said, ‘Oh my God, I’ve always wanted my silo done,” said Faast, who lives in Denver. “The people who owned this farm (in Hygiene) saw the Oskar Blues silo.
He’s putting the finishing touches on that project now, and already has another Boulder County commission with an apple orchard west of Longmont. Could artist Don Faast find a niche as a silo soloist?Īfter attracting public attention for painting the Longmont Oskar Blues’ silo in the bright, blue, silver and red likeness of a beer can, Faast was asked to paint sunflowers on a silo in Hygiene.
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